27. Musical Harmony-Space and Integrative Feeling
Subject of Study 6
Scientifically Studying the Universal Evolutionary Musical
Harmony-Potential of UNIVERSAL CONSCIOUSNESS –
the Universal Integration of Cognition & Creation – the Universal Eigenfunction
of the Cosmic Moon and the Cosmic Sun – the Human Cultural Path to the
Cosmic Stars – Life in Universal Harmony: Culture – within the Universal
Musical Evolution of our Integrative Ability of Cosmic Feeling
Through the Integration of the Field of Knowledge of the Musical
Sequence-Space and the Field of Knowledge of our Feeling
During / by the Integrated Analysis and Synthesis of the Sound
Seminar Series
The mechanics of the basic sound at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the overtone spectrum of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the periodic vibration of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the vibration sequence of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the aperiodic vibration of the sound at the transition from
the field of knowledge of our feeling to the field of knowledge of the musical
harmony-space
The mechanics of the attack of the sound at the transition from the field of
knowledge of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the decay of the sound at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
The overtone mechanics the sound at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the vowel at the transition from the field of knowledge of our
feeling to the field of knowledge of the musical harmony-space
The mechanics of the formants at the transition from the field of knowledge of
our feeling to the field of knowledge of the musical harmony-space
The mechanics of the unvoiced consonant at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the voiced consonant at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
The mechanics of the sound of the combination of consonant and vowel at
the transition from the field of knowledge of our feeling to the field of knowledge
of the musical harmony-space
Eigenfunction of the sound of the combination of vowel and consonant at
the transition from the field of knowledge of our feeling to the field of knowledge
of the musical harmony-space
Eigenfunction of the voiced consonant at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the unvoiced consonant at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the formants at the transition from the field of knowledge of
our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the vowel at the transition from the field of knowledge of our
feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the overtone mechanics of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the decay of the sound at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the attack of the sound at the transition from the field of
knowledge of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the aperiodic vibration of the sound at the transition from
the field of knowledge of our feeling to the field of knowledge of the musical
harmony-space
Eigenfunction of the vibration sequence of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the periodic vibration of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the overtone spectrum of the sound at the transition from the
field of knowledge of our feeling to the field of knowledge of the musical harmony-space
Eigenfunction of the basic sound at the transition from the field of knowledge
of our feeling to the field of knowledge of the musical harmony-space
Design by
GLOBAL WEB DESIGN
one of the global services of United Productions International
“We integrate thoughts and ideas”