DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
DEUTSCHE AKADEMIE DER WISSENSCHAFTEN UND KÜNSTE
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Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

X.
THE ULTIMATE GOAL OF GAINING KNOWLEDGE
IN MUSIC

Ultimate Knowledge
in Music

The Creative Power
of the Absolute
Sound-Substance

The Art of Discrimination
in Music

The Art of Not Being
Bound in Music

The Six Treasures
of Musical Cognition

Control over the Mind

Control over the Sense
of Hearing

Abstaining from Limitation

Patience

Belief

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UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   X
     
 
THE ULTIMATE GOAL OF GAINING KNOWLEDGE IN MUSIC
     
         
 
Patience


   
 
On the ab­so­lu­te mu­si­cal level of the har­mony we make the ex­peri­ence of the com­poser: we ex­peri­ence the in­fi­nite flow of per­fect mu­sic be­yond space and time.

 
The Music Listener in the Realm of Experience of the Composer
 
 
If this per­fect mu­si­cal ex­peri­ence is per­ma­nently open to us, then the lim­ited rela­tive mu­si­cal ex­peri­ences are not able to lure us out of this so com­pletely ful­fill­ing state of ex­peri­ence of the pure mu­si­cal world of the har­mony.

 
Powerlessness of the Limited Musical Forces
 
 
Due to our stand­point of per­fect mu­si­cal ex­peri­ence in the ab­so­lu­te mu­si­cal force-field of the har­mony we are quite in­dif­fer­ent to the rela­tive mu­si­cal hap­pen­ing.
No longer we use our rela­tive mu­si­cal crea­tion for our own ful­fil­ment, but only for the pur­pose of lead­ing other mu­sic lis­ten­ers into the in­fi­nite mu­si­cal world of the har­mony which is now per­ma­nently ac­ces­si­ble for us.

 
Freedom of the Creative Music Listener
 
 
As a re­sult of this per­ma­nent per­fect mu­si­cal ex­peri­ence, a qual­ity grows within us which we com­monly call “pa­tience,” a pa­tience to­wards the rela­tive mu­si­cal proc­ess of know­ing.

 
Patience with the Musical Limits
 
 
Be­cause, seen from the state of our su­preme mu­si­cal ful­fil­ment, our grad­ual pro­gres­sion from smaller ful­fil­ments to greater and higher ful­fil­ments leads al­ways and only to the com­plete mu­si­cal full­ness of the har­mony.

   
 
Once we are an­chored in the unlim­ited field of the har­mony, pa­tience to­wards the rela­tive, lim­ited events in the outer mu­si­cal force-fields is the most natu­ral thing in the world for us.

   
 
For, in our per­sonal mu­si­cal ex­peri­ence, we live be­yond space and time.
Im­pa­tience, there­fore, does not exist for us – can­not exist – since im­pa­tience can appear only within spa­tial and tem­po­ral limi­ta­tions, but never in the unlim­ited mu­si­cal field of the har­mony – be­yond space and time.

 
The Personal Musical Experience beyond Space and Time
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
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