SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTENCE, LIFE, EVOLUTION & DIGNITY – THE COSMIC STRUCTURE OF THE SEER – THE AUTHENTIC HUMAN COGNITIVE PATH TO THE UNIVERSAL INTELLIGENCE OF THE VEDA – AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL STRUCTURAL COORDINATION OF OUR MIND WITH OUR
INNER VOICE – OUR ABILITY OF COSMIC THINKING
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CONSCIOUSNESS
THROUGH UNIVERSAL ANALYSIS IN THE MUSICAL FIELDS OF COGNITION
DURING THE MUSICAL PROCESS OF COGNITION

at the transition of the combination of basic tone, basic sound and basic idea from the force-field of our mind to the field of our inner voice

at the transition of the overtone spectra of the combination of sound and sound from the force-field of our mind to the field of our inner voice

at the transition of the periodic vibrations of the combination of tone and sound with the periodic idea chain from the force-field of our mind to the field of our inner voice

at the transition of the vibration sequences of the combination of tone and sound with the idea sequence from the force-field of our mind to the field of our inner voice

at the transition of the aperiodic vibrations of the combination of tone and sound with the aperiodic idea chain from the force-field of our mind to the field of our inner voice

at the transition of the attacks of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the decays of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the overtone mechanics of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of tone, vowel and idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of the overtone spectrum of the tone with the formants and the idea derivation from the force-field of our mind to the field of our inner voice

at the transition of the combination of the tone with the unvoiced consonant and the idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of the tone with the voiced consonant and the idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice