16. Cognitive Feeling to Musical Sequence-Space
Subject of Study 6
Scientifically Studying the Universal Development of Human
Creativity within the Creative Ability of our Cosmic Feeling
Through the Transition from the Field of Creativity of our
Feeling
to the Force-Field of the Musical Sequence-Space
During / by the Synthesis of the Sound
Seminar Series
at the transition of the sound of the combination of vowel and consonant from
the force-field of our feeling to the force-field of the musical sequence-space
at the transition of the voiced consonant from the force-field of our feeling
to the force-field of the musical sequence-space
at the transition of the unvoiced consonant from the force-field of our feeling
to the force-field of the musical sequence-space
at the transition of the formants from the force-field of our feeling to the
force-field of the musical sequence-space
at the transition of the vowel from the force-field of our feeling to the force-field
of the musical sequence-space
at the transition of the overtone mechanics of the sound from the force-field
of our feeling to the force-field of the musical sequence-space
at the transition of the decay of the sound from the force-field of our feeling
to the force-field of the musical sequence-space
at the transition of the attack of the sound from the force-field of our feeling
to the force-field of the musical sequence-space
at the transition of the aperiodic vibration of the sound from the force-field
of our feeling to the force-field of the musical sequence-space
at the transition of the vibration sequence of the sound from the force-field
of our feeling to the force-field of the musical sequence-space
at the transition of the periodic vibration of the sound from the force-field
of our feeling to the force-field of the musical sequence-space
at the transition of the overtone spectrum of the sound from the force-field
of our feeling to the force-field of the musical sequence-space
at the transition of the basic sound from the force-field of our feeling to the
force-field of the musical sequence-space